My friends Alex Hamadey and Alex Schuster are building a site for their custom audio production team Death Rides Alone and they wrote a blog entry about the music they wrote for my multimedia piece. They were a pleasure to work with and made everything seem very simple, so it was kind of cool to read what it was like from their end. I figured I'd share and also plug their work, which I think speaks for itself.
Also, this French political blog picked up a portrait I shot of Socialist French Presidential candidate Ségolène Royale at a rally she had in Paris over a year ago from my flickr account.
And I had a photo run in the Spring issue of the Boston Bicycle Reflector, a zine which you can pick up around town or download at their website.
Friday, June 6, 2008
Wednesday, June 4, 2008
Matthew's Graduation Party



I managed to get one more photo of Matt on his laptop at the party, as some of his family friends sat nearby on barstools and chatted. He spent most of the day in his room playing video games with his friends.

These aren't the kinds of photos I love taking, but shooting something is better than nothing in terms of keeping me from going stir-crazy while I'm recovering. I enjoy portraiture, and it's good practice.
Erica and Paul: More Portraits
I've been spending quite a bit of time sitting down lately with my leg propped up. Did I mention I had my ACL reconstructed? I'm not able to drive (actually walking is still pretty difficult) so I haven't been able to shoot too much, but I managed to snag some portraits of my friends when they came over to "visit the sick" (sit on the couch with me and play Wii).

Erica Goldstein, an old friend of mine. Something about the composition here and the curls around her face lent this to a kind of nostalgic feel, so I leaned toward a Sepia tone when I was editing.

Paul Opperman and Erica Goldstein. Simple, straightforward portrait with window light.

Erica Goldstein, an old friend of mine. Something about the composition here and the curls around her face lent this to a kind of nostalgic feel, so I leaned toward a Sepia tone when I was editing.

Paul Opperman and Erica Goldstein. Simple, straightforward portrait with window light.
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